And some of the commands could be more intuitive. For example, the program supports multiple tracks yet there’s no easy way to crossfade between one set of stereo tracks and the next. Supporters of the free Audacity may claim that their choice of audio editors is an even a greater bargain, but I find Audacity’s interface convoluted and the program occasionally unstable. While Amadeus’ batch processing and support for a wide variety of audio formats are unique-Sound Studio supports Ogg Vorbis but not FLAC-much of Amadeus Pro’s attraction boils down to price: It costs a measly $40, and for those forty smackers you get a remarkably-complete audio-editing solution. Those familiar with other traditional audio editors such as Felt Tip Software’s Sound Studio 3 ($80) and Bias’ Peak LE ($129) may wonder what sets Amadeus Pro apart from these likewise-capable applications. These noise-suppression features aren’t as capable as those provided by Bias’ $129 SoundSoap noise-reduction plug-in, but they can adequately remove the most-common kinds of noise you find in audio files-hum and rumble, for example. The Effects menu also includes tools for reducing or eliminating noise, including Interpolate-a command that attempts to smooth over tiny clicks and blips by removing the most-offensive characteristics of the sound-as well as a Denoising command, which lets you remove common types of noise or noise based on a sample of that noise you provide. For example, Amadeus’ Effects menu gives you quick access to Echo, Amplify, Equalizers, VST Effects, Stereo Utilities (including Balance, Invert Phase, and Swap Channels), Audio Units, Change Pitch and Speed, Normalize, Fading (Fade In and Out, as well as crossfade), and Reverse options. Just as with other traditional sound editors, you select sections of audio by dragging a selection cursor over the waveform you can then apply a variety of filters and effects to the selected sound. Amadeus Pro’s traditional audio-waveform view.
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